Introduction:
Alright — I’ll just say it: this 1968 Martin D-28 is the kind of guitar that stops you in your tracks. Built with Brazilian Rosewood back and sides and a Sitka spruce top, it delivers that sweet, aged Martin tone that just feels like home. Whether you’re a collector hunting tonewood gold or a serious player who wants a legendary instrument without blowing six figures, this one’s the real deal. And the best part? It’s priced right — no gatekeeping here.
Specifications:
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Model: Martin D-28
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Year: 1968
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Top: Sitka Spruce
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Back & Sides: Brazilian Rosewood
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Neck: Mahogany
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Fingerboard: Ebony
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Bridge: Ebony
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Bracing: X-Bracing, Non-Scalloped (pre-’70 style)
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Nut Width: Approx. 1 11/16″
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Scale Length: 25.4″
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Finish: Natural Nitrocellulose Lacquer
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Tuners: Grover Rotomatics (period correct)
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Condition: Very Good Vintage – honest playwear, no major repairs, structurally solid
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Case: Older hard case included (likely non-original, but solid)
The Story:
So here’s the scoop: 1968 is one of the last great years of full Brazilian Rosewood D-28s before Martin made the big switch. This guitar has aged like fine wine — and I’m not just talking about the looks. The tone is full, open, and articulate. It blooms with every chord, with just the right amount of low-end thump and top-end shimmer. Whether you’re flatpicking, fingerpicking, or strumming like your life depends on it — this guitar responds.
It’s got some honest wear, but no ugly stories. No headstock breaks, no top cracks — just a few battle scars earned honestly over decades of music. This thing wants to be played. And in today’s market, finding a Brazilian D-28 in this shape, at this price? Let’s just say you probably won’t see another one like it soon.
Conclusion / CTA:
If you’ve been waiting for the right vintage Martin to show up — this is it. A Brazilian Rosewood 1968 D-28 with that golden-era mojo, incredible tone, and a price that makes sense. These guitars are only getting harder to find. So if you feel that tug, trust it — reach out and let’s talk. You don’t want this one getting away.
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